Abstract

Musical training causes structural and functional changes in the brain due to its sensory-motor demands. This leads to differences in how musicians perceive and process music as compared to nonmusicians, thereby providing insights into brain adaptations and plasticity. Correlational studies and network analysis investigations have indicated the presence of large-scale brain networks involved in the processing of music and have highlighted the differences between musicians and non-musicians. However, studies on functional connectivity in the brain during music listening tasks have thus far focused solely on static network analysis. Dynamic Functional Connectivity (DFC) studies have lately been found useful in unearthing meaningful, time-varying functional connectivity information in both resting-state and task-based experimental settings. In this study, we examine DFC in the fMRI obtained from two groups of participants, 18 musicians and 18 non-musicians, while they listened to a musical stimulus in a naturalistic setting. We utilize spatial Group Independent Component Analysis (ICA), sliding time window correlations, and a deterministic agglomerative clustering of windowed correlation matrices to identify quasi-stable Functional Connectivity (FC) states in the two groups. To compute cluster centroids that represent FC states, we device and present a method that primarily utilizes windowed correlation matrices occurring repeatedly over time and across participants, while excluding matrices corresponding to spontaneous fluctuations. Preliminary analysis indicate states with greater visuo-sensorimotor integration in musicians, larger presence of DMN states in non-musicians, and variability in states found in musicians due to differences in training and prior experiences.

Abstract

There has been growing interest towards naturalistic neuroimaging experiments, which deepen our understanding of how human brain processes and integrates incoming streams of multifaceted sensory information, as commonly occurs in real world. Music is a good example of such complex continuous phenomenon. In a few recent fMRI studies examining neural correlates of music in continuous listening settings, multiple perceptual attributes of music stimulus were represented by a set of high-level features, produced as the linear combination of the acoustic descriptors computationally extracted from the stimulus audio. New method: fMRI data from naturalistic music listening experiment were employed here. Kernel principal component analysis (KPCA) was applied to acoustic descriptors extracted from the stimulus audio to generate a set of nonlinear stimulus features. Subsequently, perceptual and neural correlates of the generated high-level features were examined.

Abstract

Encoding models can reveal and decode neural representations in the visual and semantic domains. However, a thorough understanding of how distributed information in auditory cortices and temporal evolution of music contribute to model performance is still lacking in the musical domain. We measured fMRI responses during naturalistic music listening and constructed a two-stage approach that frst mapped musical features in auditory cortices and then decoded novel musical pieces. We then probed the infuence of stimuli duration (number of time points) and spatial extent (number of voxels) on decoding accuracy. Our approach revealed a linear increase in accuracy with duration and a point of optimal model performance for the spatial extent. We further showed that Shannon entropy is a driving factor, boosting accuracy up to 95% for music with highest information content. These fndings provide key insights for future decoding and reconstruction algorithms and open new venues for possible clinical applications.