Abstract

This study aims to first formulate a tool to identify an individual’s natural affinity towards appreciation of music vs lyrics and identify personality traits (including empathic and emotional traits) associated with the same.

Abstract

This study aims to understand the relationship between personality traits and the emotions, as represented in the Valence-Arousal (VA) space, conveyed through lyrics of their preferred music.

Abstract

The goal of this study is 1) to link an individual's personality traits to the number of instrumental music tracks in their long-term listening history 2) evaluate two datasets to assess reliability of results.

Abstract

Healthy-Unhealthy Music Scale (HUMS), a compact 13-item instrument was developed for assessing musical engagement that is indicative of adolescent well-being (Saarikallio et al, 2015, Child and Adolescent Mental Health). However, there have been no studies examining the validity of HUMS in a clinically depressed cohort (DC).

Abstract

Studies have emerged characterizing naturally occurring music listening behaviour of individuals at-risk for depression via the online music streaming platform Last.fm (Surana et al. 2020a; Surana et al. 2020b), albeit limited to social tags and acoustic features. No studies have looked at artist preferences and predictive capacity using this information associated with risk for depression.

Abstract

Personality is known to influence emotional experiences including those induced by music listening. Previous research has largely relied on self-report and models with limited terms, which may not adequately capture naturalistic behavior and experience. Data from the platform Last.fm allows for the analysis of listening behaviors using both musical features and semantic tags provided by listeners, for a more naturalistic exploration of personality, music and emotion.

Abstract

Recent studies utilizing online music streaming data have found genre preferences to be associated with risk for depression (Surana et al., 2020). However, the mentioned study does not address gender differences among participants. Gender differences have been reported in depression in terms of the prevalence, symptomatology, and emotion regulation strategies used (Garnefski et al., 2004). Also, there exists a gender-specific tendency to choose certain kinds of music where females tend to prefer ‘softer’ styles like mainstream pop, while males are inclined towards ‘heavier’ styles like hard rock (North and Hargreaves, 2008). Martin et al.(1993) investigated the relationship between adolescents’ music preferences and risk factors for suicide, which included depression. Females preferring rock/metal music were found to have higher scores for depression as compared to males preferring rock/metal. Miranda and Claes (2009) found metal music-listening to be associated with higher depression levels in adolescent females, but only if they affiliate with peers who are more depressed. However, the above studies relied on self-reported music preferences. The current study explores these associations in more naturalistic settings using online music consumption.

Abstract

Automatic identification of emotions from a given music track would be of significant importance in the area of Music Information Retrieval. Several studies have found lyrics an important feature in the task of emotion classification [1]. Using lyrics, till date, a transformer-model which is a Natural-Language-Processing (NLP) based Deep-Learning model has achieved state-of-the-art results in identifying music emotion as represented in the Valence-Arousal (VA) space [2]. While transformer models rely on parsing the syntactic structure of sequential input data, we assume that semantic relations could be efficiently learned from these representations using novel capsule networks [3]. The “capsules” are akin to neuronal populations breaking down information into parts that mimics human processing of information by chunking for efficient encoding and evaluation of the stimulus. We extend the same logic further to say that capsule networks should be able to look at the semantic representation of each word in the lyrics of a song and should be able to learn the relationship between these words and the emotion that they represent as a group

Abstract

This chapter provides a behind-the-scenes account of the birth of a naturalistic approach to the neuroscience of the musical aesthetic experience. The story starts from a lab talk giving the inspiration to translate the naturalistic paradigm initially applied to neuroimaging studies of the visual domain into music research. The circumstantial co-presence of neuroscientists and computational musicologists at the same center did the trick, permitting the identification of controlled variables for brain signal processing from the automatic extraction of the acoustic features of real music. This approach is now well accepted by the music neuroscience community while still waiting for full exploitation by aesthetic research.

Abstract

Music is appreciated for emotional reasons across cultures, but knowledge on the cross-cultural similarities and differences of music-evoked emotions is still sparse. The current study compared music-evoked emotions in Finland and in India, contextualizing them within the perceived psychological functionality of music in an individualistic versus collectivistic culture. Participants ( N = 230) answered an online survey on music-evoked emotions and related personal meanings. A mixed-method approach using factor analysis and qualitative content analysis was used to identify the concepts for cross-cultural comparison. Results show that both cultures value music for positive emotional experiences, but the prevalence of more detailed emotional nuances and underlying meanings is distinctively different. The highest-scoring emotion factor for Finns was Power-Empowerment while for Indians it was Peaceful-Transcendence. For Finns, the personal relevance of music was distinctively related to self-enhancement, self-reflective insights, and self-expression, while for Indians the relevance was particularly related to using music as a mood management tool for reaching positive, relaxed, and motivated affective states. Both cultures found music important for experiencing social connection. The results partly reflect the individualistic-collectivistic dimensionality of cultures and emphasize the relevance of contextualizing music psychological knowledge of music-evoked emotions in individuals’ culturally bound meaning-making processes.