Abstract

Kathakali is one of the major forms of Classical Indian Dance. The dance form is distinguished by the elaborately colourful makeup, costumes and face masks. In this work, we present (a) a framework to analyze the facial expressions of the actors and (b) novel visualization techniques for the same. Due to extensive makeup, costumes and masks, the general face analysis techniques fail on Kathakali videos. We present a dataset with manually annotated Kathakali sequences for four downstream tasks, i.e. face detection, background subtraction, landmark detection and face segmentation. We rely on transfer learning and fine-tune deep learning models and present qualitative and quantitative results for these tasks. Finally, we present a novel application of style-transfer of Kathakali video onto a cartoonized face. The comprehensive framework presented in the paper paves the way for better understanding, analysis, pedagogy and visualization of Kathakali videos. CCS Concepts: Applied computing --> Performing arts; Human-centered computing --> Visualization

Abstract

Domain Generalization (DG) requires a model to learn a hypothesis from multiple distributions that generalizes to an unseen distri- bution. Recent explorations show that, for neural networks, the choice of hyper-parameters and model architecture significantly affects DG performance, and making the right choice is non-trivial. In this paper, we show evidence suggesting that the models that perform better at DG, might be implicitly learning a low dimen- sional representation in the feature space. Furthermore, we take forward this idea and employ explicit feature learning to improve DG. To this end, we propose a DG specific supervised contrastive loss. We show how this performance improvement correlates to reduced dimensionality of the representation. Our work establishes new state-of-the-art on five different DG benchmarks, compared against over two dozen existing approaches in DomainBed. We show how this performance improvement correlates to reduced dimensionality of the representation

Abstract

Kathakali is one of the major forms of Classical Indian Dance. The dance form is distinguished by the elaborately colourful makeup, costumes and face masks. In this work, we present (a) a framework to analyze the facial expressions of the actors and (b) novel visualization techniques for the same. Due to extensive makeup, costumes and masks, the general face analysis techniques fail on Kathakali videos. We present a dataset with manually annotated Kathakali sequences for four downstream tasks, i.e. face detection, background subtraction, landmark detection and face segmentation. We rely on transfer learning and fine-tune deep learning models and present qualitative and quantitative results for these tasks. Finally, we present a novel application of style-transfer of Kathakali video onto a cartoonized face. The comprehensive framework presented in the paper paves the way for better understanding, analysis, pedagogy and visualization of Kathakali videos.

Abstract

We present a method to control the emotional prosody of Text to Speech (TTS) systems by us- ing phoneme-level intermediate features (pitch, energy, and duration) as levers. As a key idea, we propose Differential Scaling (DS) to dis- entangle features relating to affective prosody from those arising due to acoustics conditions and speaker identity. With thorough exper- imental studies, we show that the proposed method improves over the prior art in accu- rately emulating the desired emotions while retaining the naturalness of speech. We ex- tend the traditional evaluation of using indi- vidual sentences for a more complete evalua- tion of HCI systems. We present a novel ex- perimental setup by replacing an actor with a TTS system in offline and live conversa- tions. The emotion to be rendered is either predicted or manually assigned. The results show that the proposed method is strongly pre- ferred over the state-of-the-art TTS system and adds the much-coveted “human touch” in ma- chine dialogue. Audio samples for our exper- iments and the code are available at: https: //emtts.github.io/tts-demo/

Abstract

No Results Found

Abstract

Despite existing works of Audio-Visual Saliency Prediction (AVSP) models claiming to achieve promising results by fusing audio modality over visual-only models, these models fail to leverage audio information. In this paper, we investigate the relevance of audio cues in conjunction with the visual ones and conduct extensive analysis by employing well-established audio modules and fusion techniques from diverse correlated audio-visual tasks. Our analysis on ten diverse saliency datasets suggests that none of the methods worked for incorporating audio. Furthermore, we bring to light, why AVSP models show a gain in performance over visual-only models, though the audio branch is agnostic at inference. Our work questions the role of audio in current deep AVSP models and motivates the community to a clear avenue for reconsideration of the complex architectures by demonstrating that simpler alternatives work equally well.

Abstract

We investigate Referring Image Segmentation (RIS), which outputs a segmentation map corresponding to the natural language description. Addressing RIS efficiently requires considering the interactions happening across visual and linguistic modalities and the interactions within each modality. Existing methods are limited because they either compute different forms of interactions sequentially (leading to error propagation) or ignore intramodal interactions. We address this limitation by performing all three interactions simultaneously through a Synchronous Multi-Modal Fusion Module (SFM). Moreover, to produce refined segmentation masks, we propose a novel Hierarchical Cross-Modal Aggregation Module (HCAM), where linguistic features facilitate the exchange of contextual information across the visual hierarchy. We present thorough ablation studies and validate our approach’s performance on four benchmark datasets, showing considerable performance gains over the existing state-of-the-art (SOTA) methods.

Abstract

The prose storyboard language is a formal language for de- scribing movies shot by shot, where each shot is described with a unique sentence. The language uses a simple syntax and limited vocabulary borrowed from working practices in traditional movie-making, and is intended to be readable both by machines and humans. The language is designed to serve as a high-level user interface for intelligent cinematog- raphy and editing systems

Abstract

There has been increasing interest in building deep hierarchy-aware classifiers that aim to quantify and reduce the severity of mistakes, and not just reduce the number of errors. The idea is to exploit the label hierarchy (e.g., the WordNet ontology) and consider graph distances as a proxy for mistake severity. Surprisingly, on examining mistake-severity distributions of the top-1 prediction, we find that current state-of-the-art hierarchy-aware deep classifiers do not always show practical improvement over the standard cross-entropy baseline in making better mistakes. The reason for the reduction in average mistake-severity can be attributed to the increase in low-severity mistakes, which may also explain the noticeable drop in their accuracy. To this end, we use the classical Conditional Risk Minimization (CRM) framework for hierarchy-aware classification. Given a cost matrix and a reliable estimate of likelihoods (obtained from a trained network), CRM simply amends mistakes at inference time; it needs no extra hyperparameters and requires adding just a few lines of code to the standard cross-entropy baseline. It significantly outperforms the state-of-the-art and consistently obtains large reductions in the average hierarchical distance of top- predictions across datasets, with very little loss in accuracy. CRM, because of its simplicity, can be used with any off-the-shelf trained model that provides reliable likelihood estimates.

Abstract

We propose the ViNet architecture for audiovisual saliency prediction. ViNet is a fully convolutional encoder-decoder architecture. The encoder uses visual features from a network trained for action recognition, and the decoder infers a saliency map via trilinear interpolation and 3D convolutions, combining features from multiple hierarchies. The overall architecture of ViNet is conceptually simple; it is causal and runs in real-time (60 fps). ViNet does not use audio as input and still outperforms the state-of-the-art audio-visual saliency prediction models on nine different datasets (three visual-only and six audio-visual datasets). ViNet also surpasses human performance on the CC, SIM and AUC metrics for the AVE dataset, and to our knowledge, it is the first model to do so. We also explore a variation of ViNet architecture by augmenting audio features into the decoder. To our surprise, upon sufficient training, the network becomes agnostic to the input audio and provides the same output irrespective of the input. Interestingly, we also observe similar behaviour in the previous state-of-the-art models [1] for audio-visual saliency prediction. Our findings contrast with previous works on deep learning-based audio-visual saliency prediction, suggesting a clear avenue for future explorations incorporating audio in a more effective manner. The code and pre-trained models are